“Full of adventure, humor, love and sex, and occasionally some eloquent rage about the way Indians have been treated in America. . . . A trickster tale . . . in which a . . . clever and resourceful hero outsmarts stronger enemies and lives to fight another day.”—New York Times Book Review
Collaboration, Native Voice, and the Making of the National Museum of the American Indian
By Jennifer A. Shannon
$29.95 Paperback 978-1-938645-27-3 July 2014
In 2004 the National Museum of the American Indian (NMAI) opened to the general public. This book, in the broadest sense, is about how that museum became what it is today. For many Native individuals, the NMAI, a prominent and permanent symbol of Native presence in America, in the shadow of the Capitol and at the center of federal power, is a triumph.
Clements’s study examines Americans’ changing sense of Geronimo and looks at the ways Geronimo tried to maintain control of his own image during more than twenty years in which he was a prisoner of war.
This book offers a new approach to the use of linguistic data to reconstruct prehistory. The author shows how a well-studied language family—in this case Uto-Aztecan—can be used as an instrument for reconstructing prehistory.
Hemispheric Perspectives on the History of Indigenous Education
Edited by Brenda J. ChildBrian Klopotek
$39.95 Paperback 978-1-938645-16-7 May 2014
Indian Subjects brings together an outstanding group of scholars from the fields of anthropology, history, law, education, literature, and Native studies to address indigenous education throughout different regions and eras.
In Indian Policies in the Americas, Adams addresses the idea that “the Indian,” as conceived by colonial powers and later by different postcolonial interest groups, was as much ideology as empirical reality. Adams surveys the policies of the various colonial and postcolonial powers, then reflects upon the great ideological, moral, and intellectual issues that underlay those policies.
First published almost fifty years ago and long out of print, The Shoshoneans is a classic American travelogue about the Great Basin and Plateau region and the people who inhabit it, never before—or since—documented in such striking and memorable fashion.
The first full-length critical analysis of the paintings of Jaune Quick-to-See Smith, this book focuses on Smith’s role as a modernist in addition to her status as a wellknown Native American artist. With close readings of Smith’s work, Carolyn Kastner shows how Smith simultaneously contributes to and critiques American art and its history.