Poetics

All This Thinking explores the deep friendship and the critical and creative thinking between Bernadette Mayer and Clark Coolidge, focusing on an intense three-year period in their three decades of correspondence.

Latinx Poetics: Essays on the Art of Poetry collects personal and academic writing from Latino, Latin American, Latinx, and Luso poets about the nature of poetry and its practice.

In “A Serpentine Gesture”: John Ashbery’s Poetry and Phenomenology Elisabeth W. Joyce examines John Ashbery’s poetry through the lens of Maurice Merleau-Ponty’s conception of phenomenology.

Horace speaks of poetry delighting and instructing. While Evaluations of US Poetry since 1950, Volume 1 explores the pleasures of poetry—its language, forms, and musicality—volume 2 focuses on the public dimensions.

The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond.

Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author.

The essays in this collection examine the breadth of Eigner’s interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.

Postmodernism of Resistance in Roberto Bolaño’s Fiction and Poetry examines the ways in which Bolaño employs a type of literary aesthetics that subverts traits traditionally associated with postmodernism.

The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded.

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing.