American Studies and American West

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978-0-8263-3399-5

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AfterBurn: Reflections on Burning Man


Edited by Lee Gilmore
Edited by Mark Van Proyen

The Burning Man Festival is a weeklong spasm of radical self-expression held annually just before Labor Day since 1986. In late August 2003, more than 33,000 participants converged in Nevada's Black Rock Desert for this counterculture event staged as an experiment in temporary community.

The participants gather to rid themselves of the conventional structures of their life and to "sample" the alternatives in hundreds of theme camps. The climax of the festival comes when attendees erupt into cheers and applause at the burning of a forty-foot-tall human effigy described as "part pre-technological idol and part post-technological puppet."

AfterBurn contributor Erik Davis writes of the festival, "Ironic and blasphemous, intoxicated and lewd, Burning Man's ADD theater of the absurd might even be said to embody the slap-happy nihilism of postmodern culture itself."

CounterCulture series editor David Farber summarizes the significance of the event: "(Burning Man is) spiritual discovery, utopian experiment, artistic spectacle, participatory democracy, do-it-yourself anarchism, and communitarian adventure." AfterBurn features ten essayists each addressing a specific aspect of the festival, from the recruitment and management of volunteers, to the artistic and cultural context of the modern conception of Utopia.

Both Lee Gilmore and Mark Van Proyen have attended Burning Man annually since 1996.

Contributors:

Katherine Chen (Cambridge, MA) received a PhD in sociology from Harvard.
Erik Davis (San Francisco, CA) is an author, journalist, and performance lecturer.
Allegra Fortunati (San Francisco, CA) serves on the curatorial committee and board of the LAB.
Jeremy Hockett (Ann Arbor, MI) received his PhD from the department of American studies, University of New Mexico, Albuquerque.
Robert V. Kozinets (Madison, WI) is assistant professor of marketing, University of Wisconsin-Madison's School of Business.
JoAnne Northrup (San Jose, CA) is senior curator at the San Jose Museum of Art.
Sarah M. Pike (Chico, CA) is associate professor of religious studies, California State University.
John F. Sherry, Jr. (Evanston, IL) is an anthropologist at the Kellogg School of Management, Northwestern University.


ABOUT THE CONTRIBUTORS

Lee Gilmore received her PhD at the Graduate Theological Union, Berkeley, and teaches at Chabot College in Hayward, California.

Mark Van Proyen is associate professor of art history, painting, and digital media at the San Francisco Art Institute.

ACCLAIM

"These 9 essays initiate and frame a conversation of Burning Man's connection to and attempts to escape so-called mainstream society. If you're curious about Burning Man, this is the book that will get you thinking about the event and perhaps get you to the event itself next year."

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Umbrella Journal, CA



"( AfterBurn) is a thoughtful collection of essays that examines the event within a postmodern framework."

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newpages.com




6 x 9 in. 232 pages 20 halftones